Romanticizing Paris seems like 2011′s “in” thing. I’ll go as far back as June, when Woody Allen set his most recent film in the north of France, where Owen Wilson was enamored by the literary inspiration that dawned on him during Midnight In Paris. Then of course, Jay-Z showed us that this region of Europe is where he could let it all hang out (pause) when he scoffed, “If you escaped what I escaped, you’d be in Paris getting fucked up too.” Meanwhile it’s the most appropriate place to debut a women’s clothing collection, as Kanye West did with his new line, Dw. Oui. It’s a celebration bitches, and the new indie flick Julien & Claire throws its arms around Paris, and plants two juicy ones on its cheeks. The romantic story follows the relationship between an American dancer and a French musician, both at a crossroads with a fading passion for their respective art. The film’s teaser captures the picturesque landscape of Paris set to a soundtrack luring you into the emotion written on the cast’s faces. Aside, the romance shared between these two crazy kids is a throwback to 2004′s Before Sunset, also shot on location in Paris. Watch the trailer, it’ll really get you going.
Tag Archives: film
Batman: Year One Earns Its PG-13 Rating
There’s only one more Batman movie left for Christopher Nolan to direct—BOO! Chill fanboys and girls. In recent years, while the Dark Knight has become the DC Universe’s cash cow at the box office, raking in ba-jillions collectively between Nolan’s first and second opus, DC’s animated Bat flicks are also keeping the franchise fresher than Bruce Wayne’s bed linens. Alfred Pennyworth holla!!! Last week, Batman: Year One was released on DVD and Blu-Ray, pushing the envelope way further than Batman: Gotham Knight (2008) or Batman: Under the Red Hood (2010). Leave it to Year One‘s story, developed by Frank Miller to raise the risqué factor. Characters like Catwoman and Bruce Wayne evoke more sexuality, and are more vulnerable, ultimately making them human-like despite being ‘toons. Read more below to see shots of Wayne, Selina Kyle, and their alter egos as you’ve probably never seen them before. POW!
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Video: Transformers: Dark of the Moon New Trailer HD BB
A new-new cut of the Transformers: Dark of the Moon trailer. This version, including “Bad Dreams” by Blind Benny (Jade<3 and JD Carmelli), gives better pacing to the trailer. Watch it after the jump.
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Scoreboard: Playlist for The Hangover Part II
I just watched the trailer for The Hangover Part II about 2 weeks ago. I wasn’t in a rush to see where the cast would travel next or what trouble they’d get into until I sat in the theater to experience the fictional disaster. My reason for holding out is because I didn’t expect the film’s debaucherous premise of party and bullshit to deviate heavily from it’s 2009 predecessor. Why would it? It was a huge success, spawning watchable re-runs on HBO and maybe other networks like TBS—when it retires Wedding Crashers (also co-starring Bradley Cooper). But it’s the music that will also be a main attraction for me. Already mainstream darlings Jay-Z and Kanye West score the trailer for this Memorial Day blockbuster. Just look at how Kanye West’s “Dark Fantasy” track is threaded over the first half of the trailer to build the story.
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Nice Guys: Edward, Richard and Johnny
Photo by Amy Sussman/Getty Images North America)
This short story is dedicated to writer, professor Patrick Meanor who dedicated The Wrath of Grapes to writer, director Edward Burns.
Class is over. I think I’m going to make it out of here unscathed from another week of being delinquent in my work. Correction: unscathed from the professor’s threats to fail me. He won’t and I’m not stupid enough to underachieve that low. For this one literature class, I don’t have to be paranoid of my tendency to attract the general species of asshole professors with tenure. They can do whatever the fuck they want, their job is safe—me, not so much. My friends, also in the class, impress our professer pointing out parallels between our assigned stories and movies with similar themes. The teacher eats it up, so do the girls in our class who want to “share notes.” We’re in good graces with everyone. Some of the professor’s recent favorite movies are Good Will Hunting and the ones written and directed by a former student, Edward Burns. He hones in on me, again this time making a flattering connection between me, Burns and Matt Damon’s brainy nonchalant character in Good Will Hunting. At this point, the conversation shifts to how I choose my own adventure with his assignments, and he realizes my potential for more, as he once saw in Burns who was once in my shoes. During my sophomore year, I couldn’t find any concrete ground academically even as an English major—somehow in my mind, “Undecided” was watermarked over the concentration status of my degree. So now what? The professor is souping me up with this idea that he could be as proud of me as he is of his former pupil. I could be a screenwriter or write books like the pretty good one he dedicated to Burns… I don’t know. Flash forward to the spring of 2009, I’m nearing the end of my continuing education course study of screenwriting at the School of Visual Arts. I’m juggling a job as a waiter, deejaying part time for local New York rappers and singers, meanwhile trying to write a 30 page draft of my legacy for the screen. I’m spreading my professional life thin as New Yorkers do by their birthright—never sleeping, never not working. Somehow one of these things will stick, and be the lottery ticket to millions.
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Video: Venus vs. Mars vs. Manhattan
I look like I need a hole in my head as much as I need to hear Jay-Z and Alicia Keys sing about New York, again. I can’t be completely mad at “Empire State of Mind” because 42nd Street, Tribeca, and a few other parts of the city he’s namedropping aren’t even really neighborhoods anymore, much less places I’d find myself even if they were giving out free real estate. The only place I could ever possibly escape this record is at a Knicks game—where no song will lift their depression—or I could just leave Earth altogether.
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Woody Allen Turns 74
There is something funny to be said about choosing Woody Allen as my career role model. It happened when I began reading Without Feathers, Allen’s collection of journals, and plays last month. For a moment my own inner monologue began to mirror some of Allen’s flashes of brilliance. Except since the advent of Twitter, I now have a public forum to kick around my half-baked ideas, then at times find humor in the most unlikely places. There’s no such thing as too much information, a pillar to how Allen dissects his imagination. In his 74 years on Earth he’s known for communicating his sharp criticism about his likes and dislikes through screenplays (film, and theater). His side hustle: playing clarinet in the New Orleans jazz band. For these reasons, I admire Allen on his birthday today, as a successful icon for toeing the line between writing and playing music, let’s take a look at my four favorite works by Woody Allen below.
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Tim Burton and the MoMa Art Factory
Tim Burton. Untitled (The Melancholy Death of Oyster Boy and Other Stories).
What will Tim Burton think of next? One thing is for sure, his movies will either strike a nerve, or scare dollars out of your pocket. It’s that fine line of what’s eerie, and different that makes the director who dreamed up the paranormal world of Beetlejuice, Edward Scissorhands, and two brilliant Batman flicks an artist worthy of profiling at the Museum of Modern Art. Starting on November 22nd the jarring characters of Burton’s imagination will be displayed at New York’s MoMa, showcasing animation, drawings, and photography of his haunting characters. Catch a preview of Tim’s animation below, plus a bonus clip of his crown jewel, Batman Returns.
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Hip-Hop’s Visual Swagger—Synesthesia
Listening previews, of new music is a song that the press knows all the words to. Up until Kanye West’s premiere of his pivotal third album Graduation, when record companies gave an “exclusive,” they never skimped on predictability—an oasis of free beverages (mostly libations), uninformed liner notes, and the obligatory appearance by the artist. Yet on August 27th, 2007 at New York’s New World Stages Roc-A-Fella/Def Jam Records billed West’s event as an “experience.” [Ed. Note: New World Stages was formerly a discount movie theater known as Loews Cineplex Entertainment Worldwide Plaza from 1994 to 2001. It screened films as cheap as $2.]
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Edgar Wright Updates On Scott Pilgrim Production

Edgar Wright gets it together.
Not since The Dark Knight have I followed a film’s production so closely, like I’m currently doing with Scott Pilgrim Vs. The World. Eight months after Dark Knight hit, I think I’m entitled to another (film) geek moment, right? [crickets] Okay, well the film adaptation of the famed graphic novel series is in full-swing now with Edgar Wright (Hot Fuzz, Shaun of the Dead), the real visionary director (sorry Zach Snyder), checking in with die-hard fans on the production process. Especially after co-star Brandon Routh (Superman Returns) reported animation would be incorporated, rumors like that one have been quickly debunked by more reliable sources like the creator, Bryan Lee O’Malley. Get a behind-the-scenes look at a recent training session by the film’s cast below.
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